Electroacoustic composer, sound artist, and performer, he focuses his artistic research on the compositional relationship between acoustic sound and electronic processing in relation to the various expressive contexts of contemporary writing, such as multimedia, audiovisuals, dance, plastic arts, theater, and poetry. He collaborates with many artists, performers, and musicians in various fields of contemporary and popular music, frequently performing in radical improvisation concerts, either solo or in ensembles, for prepared instruments, concrete sounds, and live electronics. He is a member of the Opificio Sonoro contemporary music ensemble, founded by Marco Momi, as an electronics performer and sound director. He teaches Electroacoustic Music Composition at the G. F. Ghedini Conservatory in Cuneo. He has received commissions from Tempo Reale Firenze (2024), Ensemble Opificio Sonoro (2022-2023), Compagnia Opera Bianco (2019), Fondazione Cantiere Internazionale d'Arte di Montepulciano (2024-2025). As a composer, his work has been presented (among others) at: ICMC (International Computer Music Conference), NYCEMF (New York City Electroacoustic Music Festival), SMC Sound & Music Computing Conference, Dancity (Italy), CIM Colloqui di Informatica Musicale (Ancona, Italy), Atemporanea (Buenos Aires, Argentina), Ars Electronica (Linz, Austria), Cantiere internazionale d’arte di Montepulciano (Italy), Sonorities (Belfast, Ireland), Festival Nuova Consonanza (Rome, Italy), Milano Musica (Ital