Graduated in Musicology at the Autonomous University of Madrid, she began in 2024 a doctoral thesis on queer musicology linked to sound experimentation in the Spanish territory. Her work focuses on the politicization of sound through acoustic discomfort and theoretical speculation on the manipulation of noise, sound and identity politics of queer bodies. She articulates her sound research around the relationship between sexogenic dissidence and sound experimentation, working on the concept of performative horrorism (sound noise).